Dutch School

1600-1670 - The artistic development of the country coincided with its evolution into an independent state. Until 1579, the northern and southern Netherlands were controlled by the Spanish. Seven of the northern provinces formed an alliance, adopting the name of the largest province, Holland. The freedom of the was established in the Twelve Years Truce in 1609, followed by the war with Spain beggining in 1621. In 1648, after the Thirty Years War, the Dutch Nation was given official independence with the Peace of Munster. National pride was abundant at the end of this struggle, and had an impact on the nature of Dutch art in the 17th century. Renaissance influnence appeared in Dutch art in the early 16th century. Mannerism became the dominant style throughout the Netherlands in the 16th century, copying Italian style while ignoring classic traditions. Haarlem and Utrecht became main centers for Mannerist painting and also a naturalist style that became a distinct feature of Dutch art. Seeing as much of the country was Protestant, there was little interest inthe religious, mythological, and historical works of the time that were popular in Italy. Rather, the Dutch artists and collectors prefered works that portrayed their new national pride through landscape, townscape, and seascape. They also appreciated portraits, genre scenes, still lifes, and scenes from their everyday lives. Dutch art was not supported by aristocratic or religious patrons, thus giving the artists the freedom to develop independently of popular fashions. Furthermore, Dutch art was available to both the upper and middle class, and tailored its style to appeal to their comfortable, modest lifestyles. Dutch art began to decline around 1870, as the Rococo style came into fashion in France and England. In the 17th and 18th century, Dutch art began following the European trends. There was a small resurgance of Dutch painting in the 1870s with the founding of the Hague School. Artists of this period include: Art History: Dutch School: (1600 - 1670) The artistic development of the country coincided with its evolution into an independent state. Until 1579, the northern and southern Netherlands were controlled by the Spanish. Seven of the northern provinces formed an alliance, adopting the name of the largest province, Holland. The freedom of the was established in the Twelve Years Truce in 1609, followed by the war with Spain beggining in 1621. In 1648, after the Thirty Years War, the Dutch Nation was given official independence with the Peace of Munster. National pride was abundant at the end of this struggle, and had an impact on the nature of Dutch art in the 17th century. Renaissance influnence appeared in Dutch art in the early 16th century. Mannerism became the dominant style throughout the Netherlands in the 16th century, copying Italian style while ignoring classic traditions. Haarlem and Utrecht became main centers for Mannerist painting and also a naturalist style that became a distinct feature of Dutch art. Seeing as much of the country was Protestant, there was little interest inthe religious, mythological, and historical works of the time that were popular in Italy. Rather, the Dutch artists and collectors prefered works that portrayed their new national pride through landscape, townscape, and seascape. They also appreciated portraits, genre scenes, still lifes, and scenes from their everyday lives. Dutch art was not supported by aristocratic or religious patrons, thus giving the artists the freedom to develop independently of popular fashions. Furthermore, Dutch art was available to both the upper and middle class, and tailored its style to appeal to their comfortable, modest lifestyles. Dutch art began to decline around 1870, as the Rococo style came into fashion in France and England. In the 17th and 18th century, Dutch art began following the European trends. There was a small resurgance of Dutch painting in the 1870s with the founding of the Hague School. Artists: (biography & artworks) Andriessen, Christian - 1775 - 1846 Backer, Jacob Adriaensz. - 1608 - 1651 Bailly, David - 1584 - 1657 Battem, Gerrit van - 1636 - 1684 Bega, Cornelis - 1631 - 1664 Berchem, Nicolaes - 1620 - 1683 Bisschop, Jan de - 1628 - 1671 Bol, Ferdinand - 1616 - 1680 Borch, Gerard ter - 1617 - 1681 Bosschaert the Elder, Ambrosius - 1573 - 1621 Bray, Solomon de - 1597 - 1664 Claesz, Pieter - 1597 - 1660 Cuyp, Albert - 1620 - 1691 Fabritius, Carel - 1622 - 1654 Goyen, Jan van - 1596 - 1656 Hals, Frans - 1580 - 1666 Hobbema, Meindert - 1638 - 1709 Honthorst, Gerrit van - 1590 - 1656 Kalf, Willem - 1622 - 1693 Leyster, Judith - 1609 - 1660 Ruisdael, Jacob van - 1600 - 1670 Ruysch, Rachel - 1664 - 1750 Ruysdael, Solomon van - 1600 - 1670 Vermeer, Johannes - 1632 - 1675